Contrabass Conversations
life on the low end of the spectrum with Jason Heath
 
This interview-only episode of Contrabass Conversations wraps up our interview with Lyric Opera of Chicago and Northeastern Illinois University bass instructor Greg Sarchet, and we were joined by two of his students (Ausberto and Hans) at a Bulgarian restaurant for this interview. Both Hans and Oz contribute some questions, which both Greg and I answer. Check out the first part on CBC 19.
Direct download: CBC_35.mp3
Category: Greg Sarchet -- posted at: 2:33 PM
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This week's Contrabass Conversations episode features an interview with Minnesota Orchestra bassist Colin Corner. Colin joined the orchestra in 2006 after being a member of the Vancouver Symphony and Louisiana Philharmonic. We got a chance to talk auditions, orchestra life, gear, and much more. We also feature a piece from Israel-based musician J.C. Jones and Victoria, British Columbia-based musician Daniel Nix. Enjoy!

____________

CBC #34 Show Notes
Release Date: 8/19/07
Length: 49:16
Website: www.contrabassconversations.com
E-mail: contrabassconversations@gmail.com
Blog: www.doublebassblog.com
Podcast T-shirts, hats, and more: www.cafepress.com/doublebass
MySpace: www.myspace.com/cbcpodcast
Facebook: www.facebook.com/group.php?gid=17621298264
Theme song by Eric Hochberg: www.erichochberg.com


This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

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Colin Corner bio:

Colin Corner joined the Minnesota Orchestra in September 2006 after serving as associate principal bass of the Vancouver Symphony and touring with the Minnesota Orchestra on the summer 2006 European Festivals Tour.
Corner began his musical training in Indianapolis, studying with Peter Hansen, Bob Goodlett and Bennett Crantford of the Indianapolis Symphony. He attended Interlochen Arts Camp, where in 1997 he was awarded the Double Bass Class Studio Award, which was recently renamed the Colin Corner Bass Award in his honor. After graduating from Interlochen Arts Academy, Corner earned a degree from Indiana University, studying with Lawrence Hurst and winning the University’s 2003 Concerto Competition; while there, he also played in orchestras around the state. He next won a position with the Louisiana Philharmonic and was active on the avant-garde jazz scene, sitting in with Ellis Marsalis and playing in El Radio Fantastique, a “dark rock band beyond categorization.�
A recipient of numerous awards, Corner won third place in the 2001 International Society of Bassists Orchestral Competition and two years later took the competition’s first prize, which led to a one-week internship with the Detroit Symphony. Corner has attended the Music Academy of the West and the Aspen Music Festival. In his spare time, he enjoys golf, mountain biking and snowboarding

Musical Guest:

J.C. Jones

Music Played: Coming: live episodes

visit J.C. Jones online at www.kadimacollective.com/JCJones.htm for purchasing information

J.C. Jones bio:

Jean Claude Jones was born in1949 in Sfax, Tunisia, raised in France, and educated in the US.
From Tunisia he moved to France, where by the age of17, a self taught musician, he began working in professional popular music and jazz bands on lead and bass guitar. After majoring in jazz guitar at the Berklee College of Music in Boston, where he received a music degree in 1980, he spent two years in Los Angeles studying at the Music Institute of Technology. He emigrated to Israel in 1983. In 1986 he made a definitive switch from bass guitar to double bass, and started to immerse himself in free improvised music. He later added electronics and computer-manipulated sounds to his musical arsenal.
JC Jones is an esteemed music educator and served as chair of the Jazz Department at the Jerusalem Academy of Music and Dance between 1996 and 2000.
He has performed and recorded with many leading international and Israeli musicians, dancers, poets and vocal artists, including Stan Getz (1985), Red Rodney (1986) Dave Liebman (1988). Since the 1990s he has appeared with John Zorn, Anthony Coleman, Ned Rothenberg, Slava Ganelin, Steve Horenstein, Albert Beger, Arkady Gotesman, Avishai Cohen, Julien Hamilton, Amos Hetz, Anat Shamgar, Ariel Shibolet, Harold Rubin, Victoria Hanna, Josef Sprinzak, and many others.
His most recent release, Hosting Myself, from Kadima Collective Recordings is his first solo disc.
JC Jones’s current projects include the Excited Strings with cellist Yuval Mesner and guest reed player Steve Horenstein, and the Between the Strings trio with viola player Nori Jacoby and violinist Daniel Hoffman, featuring soprano sax player Ariel Shibolet.
The driving force behind his work is “finding one’s space.�

Musical Guest:

Daniel Nix

Music Played: Claude Debussy - Beau Soir (Beautiful Evening)

visit www.danielnix.com for more information about Daniel

Daniel Nix bio:

Daniel Nix began the double bass at the age of fourteen because of the insistence of his orchestra director in Richardson, Texas. Having previously studied violin from the age of ten, Daniel was persuaded to make this supposedly temporary switch of instruments in order to accommodate the needs of the orchestra. After having played the double bass only one day, the director of the orchestra concluded that Daniel demonstrated too strong an affinity for the instrument not to continue. After much reluctance, Daniel focused his efforts on playing the double bass but subconsciously longed for the gorgeous melodies so easily played on the violin. After his years on the violin, Daniel found the double bass massive, uncomfortable, and extremely difficult for producing a beautiful and satisfying sound. At first he could not see a way to play such a cumbersome instrument in the way he wanted. Upon hearing famed bassist Karr in concert, Daniel, at the age of seventeen, realized the enormous potential of the instrument. After this brief encounter, Daniel began to experiment and learn how to produce what he considered “a gorgeous sound� with which he could convey strong emotional messages similar to those he heard in the Karr concert.
After studying for a year at the Southern Methodist University in Dallas, TX, where Daniel had the extraordinary opportunity to study with the finest members of the Dallas Symphony Orchestra, he attended KarrKamp, an intensive course in double bass studies, in 2003. There, for the first time, Daniel had the chance to play for his mentor. Upon hearing him play, Karr expressed a strong interest in working with Daniel privately. This encouraged Daniel to move to Victoria, British Columbia in order to study privately with Karr while also attending the University of Victoria to major in music performance and study with Mary Rannie, principal bassist of the Victoria Symphony.
Throughout his musical journey both as a student and performer, Daniel’s most important goal is to be a lyrical player. Daniel says, “with so much importance placed on technique with little regard for lyricism in today’s competitive world, so many musicians become cold technocrats rather than expressive artists.�

Music provided by:

JC Jones
Daniel Nix
Eric Hochberg
Fonkmasters – www.music.podshow.com
N’Awlins Gumbo Kings – UFO Saloon
UFO Saloon "UFO Saloon" (mp3)
from "UFO Saloon"
by N'Awlins Gumbo Kings
(Blue Cat Blues Records) Buy at iTunes Music Store
Buy at eMusic
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Buy at Rhapsody
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More On This Album



Oneson – Just One of Those Nights
Long Overdue: The Prologue "Just One of Those Nights" (mp3)
from "Long Overdue: The Prologue"
by Oneson
(acropolisRPM) Buy at iTunes Music Store
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Stream from Rhapsody
More On This Album

Direct download: CBC_34.mp3
Category: Colin Corner -- posted at: 10:29 AM
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This is an amazing off-the-cuff performance from Miloslav Gajdos playing and singing (both parts at the same time!) Mozart’s “Per Questa Bella Mano� on the double bass. He was experiencing jet lag and playing on a borrowed bass, but one would never know if from watching this video! The bass in this video was provided by sonksenstrings.com. This trip was coordinated by Lyric Opera of Chicago and Northeastern Illinois bass professor Greg Sarchet in conjunction with the 100th anniversary of the first bass recital in Chicago. Check out Greg at Bass Club Chicago, and stay tuned for more great episodes featuring Miloslav Gajdos!
Direct download: Miloslav_Gajdos_CBC_1.mp4
Category: Miloslav Gajdos -- posted at: 10:02 AM
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This week's Contrabass Conversations episode features the second half of our interview with double bassist Guy Tuneh, conducted over a distance of thousands of miles. It was a real pleasure to get to sit down and chat with Guy--he's a warm, intelligent, and passionate individual, and these traits come through in his speaking just like they do in his bass playing. You can visit him online at www.guytuneh.com. You will also get a chance to hear the great jazz bassist Brian Bromberg perform and hear some bass playing from L.A. bassist Nam Chi Vu. Enjoy!

____________


CBC #33 Show Notes
Release Date: 8/12/07
Length: 51:24
Website: www.contrabassconversations.com
E-mail: contrabassconversations@gmail.com
Blog: www.doublebassblog.com
Podcast T-shirts, hats, and more: www.cafepress.com/doublebass
MySpace: www.myspace.com/cbcpodcast
Theme song by Eric Hochberg: www.erichochberg.com


This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

You can always call 206-666-6509 to leave a message and join in the conversation!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:



Click here
to subscribe through e-mail or through another program besides iTunes

Click to listen (right-click to download)

Guy Tuneh bio:

Guy Tuneh has been studying in Germany and performing internationally. He is noted for his intense musical involvement and phenomenal performances, combining virtuosity and musicality. Mr. Tuneh has been active as a solo performer, chamber musician, orchestra and opera bassist. Having begun as a violin student at the age of 6, he was drawn to the tone color of the double bass, joining Prof. Michael Klinghoffer's bass studio at the S. Rubin Academy of Music at Tel Aviv University. Later, he continued his bass studies under Prof. Barbara Sanderling at the Hochschule Für Musik "Hanns Eisler" in Berlin, he is now working towards a Solo Artist Diploma with Prof. Wolfgang Güttler at the Hochschule für Musik in Basel. Additionally, he took master classes with Yoan Goilav, Gary Karr and Miloslav Gajdos. His orchestra performances included engagements as a principle bassist with the Berliner Kammeroper, Ensemble "Echo" in the Deutsche Staatsoper Berlin, Theater Erfurt, and most recently with the Solistes Européens Luxembourg. As an orchestra bassist Mr. Tuneh performed under such distinguished conductors as Kurt Sanderling, Zubin Mehta, Sir Simon Rattle, Nicolas Harnoncourt and Christian Thielemann. Winner of a Villa Musica Scholarship, Guy Tuneh has performed all over Germany as a chamber musician and a soloist to great acclaim, and participated in chamber music and solo performances recorded by the SWR (Southwest German Radio). These performances included collaborations with Ulf Rodenhäuser, Guy Braunstein, Christian Altenburger, Wen-Sinn Yang, Martin Ostertag, Hermann Bäumer, and other distinguished musicians.The "Allgemeine Zeitung" described his performance as youthful and exuberant.

Musical Guest:

Brian Bromberg

Music played: “A Love Affair� from Wood II

Visit him online at http://www.brianbromberg.net/

About Brian:

Brian was born December 5th, 1960 in Tucson Arizona. He grew up in a family of musicians and artists. His father and brother played the drums. With all that music around the house, and drums all over the place, it was natural for Brian to start playing the drums as well. Brian was two and a half years old, beating up the furniture and banging on anything that didn't move. After some years of playing and practicing, Brian began his professional career as a drummer at the age of thirteen.
In elementary and Jr.high School, Brian also played the cello. That was one instrument that Brian did not feel very comfortable playing. One day in orchestra class at jr. high, the orchestra director came over to Brian and said, hey Brian, you see that big bass over there in the corner? You know that nobody is playing it. Don't you want to play that big cool bass over there? You see, the orchestra director had a plan. He thought that having one bad bass player was better then not having one at all. That was his way of getting Brian to stop trying to saw his cello in half!
That day was a blessing in disguise. Brian didn't realize that he had the gift for melody as well as rhythm. With his drumming background, and all this new melody available to him from the bass, Brian knew that this was going to be his path.
From ages fourteen to eighteen, Brian locked himself up in a room and practiced day and night. Testing out of high school early and devoting all his time to music, for the next few years Brian played every type of gig imaginable. Quite often Brian would play five to seven nights a week with several different bands.
Brian's first big break came in 1979 when Marc Johnson, the wonderful bassist with the great jazz pianist Bill Evans, heard Brian play. Several months later while on tour, Marc ran into legendary jazz saxophonist Stan Getz. Stan was looking for a new bass player and asked Marc if he knew any new young players. Marc told Stan about Brian. Brian auditioned for Stan and joined the Stan Getz quintet in December of 1979. Brian had just turned 19 and spent nearly a year touring the world with Stan and his band.


Musical Guest: Nam Chi Vu

-she will be releasing a solo double bass album late this year, so stay tuned for that, but check out this sampler featuring many of her bass highlights from various musical situations.

-visit her online at www.namchivu.com or www.myspace.com/namchivu

About Nam Chi Vu:

Nam Chi Vu has been singing since she was twelve years old, playing electric bass guitar
since she was thirteen, acting since she was fourteen, and playing upright bass since she was
sixteen. Her background consists of several genres from classical, jazz, rock, to pop. Her
experience goes from sharing the stage in master classes with Victor Wooten to rocking out with
Chicago based band Veruca Salt. Nam Chi is currently in the studio with world-renowned
producer/bass player Josquin des Pres of Track Star Studios and will be featured on a
compilation featuring Dennis Chambers of Santana, members of the Gipsy Kings, and numerous
other celebrities to be announced. She is also currently in the studio and on tour with EMI
songwriter/ Warner Brothers record producer Kim Bingham, also known as the former backup
vocalist and guitarist for Nelly Furtado, and have had recordings with Kim produced by Steve
Porcaro of Toto which were featured in Hollywood films. Nam Chi Vu currently plays Carvin "Bunny
Brunel" 4 & 5 String Signature basses, Kesslar Contrabass with French Bow and Underwood
Pickup, Carvin B800 Combo, and La Bella strings.

Music Provided by:

Nam Chi Vu
Fonkmasters – www.music.podshow.com
Matthew Ebel – Drive Away – www.music.podshow.com
Eric Hochberg

Presto -Searching Featuring 3rd Kind – Right Here

Right Here "Searching" (mp3)
from "Right Here"
by Presto
(Concrete Grooves) Buy at iTunes Music Store
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Stream from Rhapsody
More On This Album



Brian Bromberg
Wood II "A Love Affair" (mp3)
from "Wood II"
by Brian Bromberg
(Artistry Music Group, LLC) Buy at Rhapsody
Buy at Napster
Stream from Rhapsody
Buy at GroupieTunes
More On This Album
Direct download: CBC_33.mp3
Category: Guy Tuneh -- posted at: 2:38 AM
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Check out this excellent video from the extraordinary double bassist Ranaan Meyer.  Ranaan is a member of the trio Time for Three, and he was featured on Contrabass Conversations episode 28.  Enjoy!
Direct download: Ranaan_Meyer_CBC_episode.mp4
Category: Ranaan Meyer -- posted at: 10:00 PM
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This week on Contrabass Conversations we bring you an interview with string teacher and double bassist Peter Tambroni. Peter has written a book titled An Introduction to Double Bass Playing, and he has many valuable ideas regarding double bass pedagogy. Arizona bassist Robert Matheson is also featured on this episode. Enjoy!

_____________

CBC #32 Show Notes
Release Date: 8/5/07
Length: 57:11
Website: www.contrabassconversations.com
E-mail: contrabassconversations@gmail.com
Blog: www.doublebassblog.com
Podcast T-shirts, hats, and more: www.cafepress.com/doublebass
MySpace: www.myspace.com/cbcpodcast
Theme song by Eric Hochberg: www.erichochberg.com


This show is brought to you by TalkBass.com, the largest community of bassists on the Internet. Join in the conversation at talkbass.com/cbc.

We also encourage you to check out more resources for the jazz bassist at JazzDoubleBass.com, where you can find the Contrabass Conversations jazz forums.

You can always call 206-666-6509 to leave a message and join in the conversation!

To get Contrabass Conversations downloaded automatically to your computer (for free!), you can subscribe in iTunes:



Click here
to subscribe through e-mail or through another program besides iTunes

Click to listen (right-click to download)
or click player below:









Interview guest – Peter Tambroni

Book – An Introduction to Double Bass Playing – available at: http://www.lulu.com/tambroni

Between interview segments you will get the chance to hear Peter perform some highlights from various electric and acoustic bass selections.

Peter’s bio:
I began playing the double bass at the age of 16 (after playing the clarinet since elementary school) when the director of my high school jazz ensemble asked if anyone would be interested in playing bass. After playing electric bass it was suggested that I learn the string bass and soon after I began orchestral studies. Within a year I knew I wanted to go into the field of music, and becoming a music teacher was the perfect choice for me. I received my Bachelor's of Music in Music Education from the Crane School of Music in 1996.
After that I taught strings in the public schools for grades 4 - 12 in Northern New York and have been adjunct faculty for 'cello and double bass at the State University of New York at Plattsburgh. In 2000 I graduated from the University of Illinois at Urbana - Champaign with a Master's in Double Bass Performance, studying with Michael Cameron.
I am currently a string teacher in suburban Chicago where I teach string lessons in grades 3 - 8 and conduct the middle school concert and chamber orchestras. I also lead an Irish ensemble and a bass quartet.
I perform around the greater Chicago area with many orchestra and rock bands around the city. In 2000 I appeared on the Bozo Super Sunday Show to give a presentation and performance on the double bass. In the spring of 2003 I was the guest soloist for District 212 (playing the Vanhal concerto) and in spring of 2004 I performed at Symphony Center's Orchestra Hall with the Polish American Symphony Orchestra of Chicago.
I have attended classes with Michael Hovnanian of the Chicago Symphony, John Chiego, Hal Robinson of the Philadelphia Orchestra, Scott Haigh of the Cleveland Symphony, Stewart Arfman, and Erik Harris.
I have been published several in American String Teacher as well as websites around the world.

Bass news:

-Bass Musician Magazine launches! – our first feature for this publication featured double bassist Ranaan Meyer, who you heard on episode 28 of the podcast. For this bi-monthly magazine, we’ll be featuring artists who work in multiple styles of music, so expect to see one such artist in each magazine. Being featured in each issue of this publication is a really good thing for the podcast!

-New interactive podcast features

-New survey happening now over at doublebassblog.org about bassist experiences with various airlines

Musical Guest – Robert Matheson

Songs performed:

Box Canyon
Sattva

Ironwood Duo
Michael Lich, banjo & guitar
Robert Matheson, bass

Double Bassist, composer, Robert Matheson’s repertoire includes classical and jazz compositions, as well as original works influenced by classical, jazz, folk, and rock music. He also enjoys collaborating with visual artists, dancers, and musicians on improvisation projects. Past performances have taken Robert to Sonora, Mexico for Festival Dr. Alfonso Ortiz Tirado; Sedona, Arizona for Chamber Music Sedona; and to Los Angeles, California for performances at the Roxy, and the Eagle Rock Center for the Arts. He has performed with the guitar duo, Toccata; the Latin jazz group, Hans and the Attachés; Blue Pacific Swing Band; as well as the Tucson and Bakersfield Symphony Orchestras. His radio performances have included Chamber Music Showcase on KUAT 90.5 FM and Locals Only on KXCI 91.3 FM. Robert has studied under Barry Green, David Young, and Patrick Neher. He has also participated in master classes with such distinguished bassists as, François Rabbath, Paul Ellison, and David Murray. Robert performs with the Sierra Vista Symphony Orchestra and Tucson Chamber Orchestra. He is a music artist in the Opening Minds Through the Arts (OMA) residency program. He also lectures and teaches double bass at the Academy of Music and Dance in Tucson.

www.cdbaby.com/cd/lich
www.ironwoodduo.com
www.myspace.com/mathesonbass


Music provided by:

Fonkmasters – www.music.podshow.com
Eric Hochberg – www.erichochberg.com
Peter Tambroni – www.tambroni.com
Full-Time Duet – www.myspace.com/fulltimeduet
Robert Matheson – www.ironwoodduo.com

Live At Blue Cat Blues - Dallas Texas "Friday Night" (mp3)
from "Live At Blue Cat Blues - Dallas Texas"
by Los Lonely Boys
(Blue Cat Blues Records) Buy at iTunes Music Store
Buy at eMusic
Stream from Rhapsody
Buy at Rhapsody
Buy at Napster
Buy at GroupieTunes
More On This Album


Direct download: CBC_32.mp3
Category: Peter Tambroni -- posted at: 1:39 AM
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